Independent bookstores—used ones, in particular—are among my favorite human-made spaces. I love strolling between the shelves, inhaling that old book smell, discovering new stories I can let into my head. This is exactly how I’ve found quite a few authors I’d never heard of before, some of whom became my new favorites.
Unfortunately, most indie bookstores have long since bit the dust, with the last of them barely hanging on for dear life. But what if there was a way to save them?
Halloween is a sacred time for dark fiction readers and writers alike. On Sunday, October 25 at 7 p.m. (MT), Denver Horror Collective is proud to present a first-of-its-kind, improvisational horror storytelling event via Zoom sure to spook and scar anyone misfortunate enough to attend.
Thriller master Carter Wilson (author of The Dead Girl in 2A and Mister Tender’s Girl) and a formidable roster of over a dozen seasoned and emerging Colorado horror writers will exhibit their dark arts by spinning three original horror tales on the spot, round-robin style, while you watch and listen from the (relative) safety of your home.
Early bird general admission tickets are on sale via Eventbrite for $5 until October 24 when the price goes up to $10. All attendees get the chance to kick off the stories using their very own prompts.
All Hallows Improv Scarytelling is a fundraiser for the November publication of CONSUMED: Tales Inspired by the Wendigo, Denver Horror Collective’s second horror fiction anthology featuring Wrath James White, Dana Fredsti, Owl Goingback, Steve Tem, and others, and edited by Hollie & Henry Snider.
Denver Horror Collective is a horde of horror creators (writers, artists, filmmakers, and musicians) living in and around the greater Denver metro area featuring writing critique groups, a publishing house (including the Denver Post bestselling Terror at 5280’), live events, monthly Dark Wisdom Webinars, and The Epitaph newsletter. Learn more or become a member at DenverHorror.com.
Over the last century, traditional publishing has brought us the most famous horror stories ever told. Big names such as Stephen King and Dean Koontz thrust horror’s tendrils into the minds of millions of Americans, popularizing the genre.
Fast forward to 2019, where small presses and indie publishing are now bringing us the lion’s share of horror fiction—including what I believe to be some of the best stuff ever written, in what many are calling a horror renaissance.
The reason is simple: Small presses have more freedom to publish unique and diverse voices, acquired tastes that might not appeal to a mainstream palate. While these conduits can sometimes be hit or miss, more often than not, they’re where you’ll find the most artful—and dangerous—writing out there. Giving free rein to authors is how a literary genre evolves.
Which is why I’m all shivers to announce that, this fall, Denver Horror Collective (of which I’m a founding member) will be publishing a horror fiction anthology of its own!